Mobile Production Unit

VPM Productions’ Mobile Production Unit is your new field production solution. Capable of up to 6 cameras, 2 channels of graphics, 2 channels of replay, 32 channels of audio, and all packed into a 24-foot Mercedes-Benz Sprinter. It’s a versatile production powerhouse! Containing brand names such as Ross, Grass Valley, Newtek, AJA, and Yamaha…you know you’re working with quality. Contact us today to see how we can be a perfect fit for your next remote production!

CAMERAS, LENSES, & TRIPODS

CAMERAS

4 – Grass Valley LDX 80 Flex 1080i 2/3” Cameras
2 – Grass Valley LDX 82 Flex 1080i 2/3” Cameras
6 – Grass Valley LDK 4427/50 Fiber/Triax Adapter
6 – Grass Valley LDK 5307/00 7” Studio Viewfinder
2 – Grass Valley 5302/60 2” Eyepiece Viewfinder
6 – Grass Valley XCU Dual Elite CCUs
6 – Grass Valley LDK 4640/20 OCP 400 for XCU CCU
6 – Fujinon ERD-20A-A02 Zoom Control Interface
6 – Fujinon CFH-11 Focus Control Interface
6 – HVF-46 Universal Viewfinder Hoods

see Communication Equipment for Intercom
2 – Panasonic AG-HPX600p cameras available upon request

LENSES

1 – Fujinon 12x 4.5 BRM-M6 Wide Angle Lens
2 – Fujinon 17x 7.6 BERM-M6 w/2x Extender
3 – Fujinon 22×7.6 BERM-M6 w/2x Extender
Box lenses available upon request and upcharge may occur

TRIPOD

6 – Vinten Vision V10AS-CP2F Fluid Tripod Head
6 – Vinten Two Stage CF Pozi-Loc Tripod
12 – Vinten 3219-91 Tripod Control Arms
2 – O’Connor Tripod Dollies available upon request

VIDEO MONITORING/ PROCESSING

MULTI-VIEWER

2 – Sony BRAVIA KDL-40W650KD 40” LCD Televisions
Multiviewer w/ 16 Sources & customizable layout via Ross Dashboard

VIDEO MONITORS

2 – Wohler RM-2443WS-3G Quad 4.3” LCD Monitor for Shading & Replay position
2 – TVLogic LVM-170A 17” SD/HD/3G-SDI Routable Monitor for Shading & Switcher position
1 – HP L1940T 19” 4:3 LCD Computer Monitor for Shading VideoTek CMN-41
2 – ikan D12 11.6″ 3G-SDI/HDMI Full HD Field Monitor w/ Audio Confidence Monitor
1 – Image Communications VideoTek CMN-41 Multi Format Waveform & Vectorscope Monitor for Shading
All video monitors are routable

SYNC, ROUTING, & VIDEO DISTRIBUTION

2 – AJA FS2 Dual Channel Universal Frame
Synchronizer/Format Up/Down/Cross Converter
2 – ROSS SRG4400 Master Reference and Test Signal Generator
1 – ROSS ACO-4400A Auto Changeover Unit
1 – NK 3G72 40×48 Multi-Format Router
2 – ROSS Ulticore RCP-ME 16×16 Router Panel for Shading & Production
Full Router Panel available via Ross Dashboard

VIDEO PRODUCTION EQUIPMENT

SWITCHER

1 – Ross Carbonite Black Plus 2M/E 24 Input HD Video

  • 12 routable inputs / 6 routable outputs

  • 4 Keys per M/E

  • 2 Floating Chroma Keys

  • 4 Channel Still Store (Media) w/Animation Playback

  • 4 – Mini M/E w/ 2 Keys per Mini M/E

  • Formats: 525i, 625i, 1080i 59.94fps, 720p 50fps, 720p 59.94fps, 1080pSF 25fps, 1080pSF 29.97 fps, 1080pSF 23.98

  • Format Scalar and Frame Sync on every input

  • Color Correction and Proc Amp on every input

  • 8 channel Floating 2D DVE for PIP or Transitions

GRAPHICS

1 – Ross Xpression Graphics Studio Version 6.5
Dual-Channel
1 Routable Record/Screen-Grab
Datalinq & Microsoft Office Enabled

VIDEO PLAYBACK/RECORD/ REPLAY

RECORD & PLAYBACK

4 – KiPro Rack

REPLAY

1 – Newtek 3P440 4-Input Replay System


COMMUNICATION EQUIPMENT

INTERCOM & IFB

ClearCom Eclipse HX-Delta 32-port matrix frame
ClearCom PIC- IFB-104 4-Channel IFB
5 – ClearCom RS-702 2-Channel Beltpacks
4 – ClearCom V12LDDX4Y-IP 12 Channel Panels
3 – ClearCom V12LDX4Y-IP 12 Channel Rackmounts
3 – ClearCom TR-50 IFB Talent Receiver
3 – ClearCom TR-1 IFB Mono Talent Earphone
6 – ClearCom CC-400×5 Double Muff Headset
1 – ClearCom CC-300×5 Single Muff Headset
5 – ClearCom CC-300×4 Single Muff Headset
3 – Whirlwind THS3 Announcer Consoles
Cameras wired for 1 channel

TELEPHONY

1 – JK Audio Inkeeper 4-Channel Phone Interface (phone lines not supplied)

CHASSIS SPECIFICATIONS & POWER REQUIREMENTS

CHASSIS SPECIFICATIONS

2016 Mercedes-Benz Sprinter 3500
Length: 24’
Height Clearance: 10’1”

POWER REQUIREMENTS

2x 120v 40hz 50amps required for shore power
Generator: Insulated 8kw Cummins Diesel
Onan 66.6 amps Max

POWER ADAPTERS

Camlock to Hubbell Twist Lock Pigtail
NEMA-14 to Hubbell Twist Lock Pigtail
NEMA 5-15 to Hubbell Twist lock Pigtail


ENCODING/WEB STREAMING

IP UPLINK END TO END ENCODING

1 – imMediaTV ITV-EN460D H.264 SD/HD up to 1080i

WEB STREAMING ENCODER

1 – Teradek Cube 655

  • Output Modes: RTP/RTSP, RTMP, Teradek Stream, LiveAir, UDP, HLS

AUDIO EQUIPMENT

MIXING CONSOLE

1 – Yamaha QL1 with 32 Channels and 12 mixes,
Available Hardwired Connections: 2 Analog XLR Ins and 2 I/O AES Pairs

REMOTE STAGE BOX

1 – Yamaha RIO 1608-D

  • 16 XLR Analog Mic/Line Inputs w/ Phantom

  • 8 XLR Analog Outputs

  • Sample Rates: 44.1/48/88.2/96 kHz

MONITORING

1 – Bose Solo 5 for Production Area
1 – Marshall ARDM31-B 16-Channel for shading (PGM)

MICROPHONES

3 – Sennheisser-HMD280PRO
3 – ElectroVoice RE50/B Dynamic Omnidirectional Mic
3 – Whirlwind THS3 Talkback boxes
4 – Sennheisser ME66 Short Shotgun Microphone 8.75″
Wireless/Wired Lav supplied upon request

CABLE & LIGHTING

CAMERA/VIDEO CABLE

130 ft Reel of SMPTE/LEMO Hybrid Fiber
270 ft Reel of SMPTE/LEMO Hybrid Fiber
450 ft Reel of SMPTE/LEMO Hybrid Fiber
500 ft Reel of SMPTE/LEMO Hybrid Fiber
550 ft Reel of SMPTE/LEMO Hybrid Fiber
687 ft Reel of SMPTE/LEMO Hybrid Fiber
750 ft Reel of SMPTE/LEMO Hybrid Fiber
4 – SMPTE/LEMO Hybrid Fiber whips for LDK 4427
4 – TRIAX Whips for LDK 4427
1000ft Tactical Duplex Single-Mode Fiber (LC)
800ft Tactical 8 Channel Single-Mode Fiber (LC)
BNC 1694 available upon request

AUDIO

RIO1608 Stagebox box, DANTE Digital Audio
1- 16 In/8 Out x 200’ XLR Audio Snake Reel
2- 300ft Outdoor-Grade Shielded Cat 6 for RIO1608-D cabling
XLR supplied upon request

LIGHTING

Available upon request